Jennifer and Kevin McCOY

Né à Sacramento, Californie, U.S.A.
Cornell University: Ithaca, NY; Bachelor of Arts en art dramatique, spécialité "cinema"
University of Paris III: Paris, France; analyse critique du film, Programme avec CIEE
Rensselaer Polytechnic Institute, Troy NY; Master Beaux-Arts en arts électronique

Né à Seattle, WA
Whitman College, Walla Walla, WA; Bachelor of Arts en philosophie
University of Paris III, Paris, France; Cinéma et études audiovisuelles
Rensselaer Polytechnic Institute, Troy, NY; Master Beaux-Arts en arts électronique
New York, fondation pour les arts numériques,bourse, New York, NY
World Views Lower Manhattan Cultural Council Artiste en résidence, New York, NY
Emerging Artist/Emergent Media bourse, présenté par the Jerome Foundation au Walker Art Center, Minneapolis,MN
HarvestWorks Artiste en Résidence, New York, NY
Net Art Commission, The Alternative Museum, New York, NY
New Media Art Fellowship, Colbert Foundation, New York, NY
Finishing Funds Grant, Experimental Television Center, Owego, NY
Emerging Fields Award, Creative Capital Foundation, New York, NY
Eyebeam Artistes en Résidence, New York NY

Expositions personnelles
Constant World, Beall Center for Art and Technology, touring to 21c, Louisville, KY
Traffic, Visualize, Carlew, Ireland
The Allure of the Literal, University Art Museum, SUNY Albany, NY
Tiny, funny, big and sad, British Film Institute Gallery Southbank, London
travelling to VIVID, Birmingham and Newlyn Art Gallery, The Exchange, Cornwall
The constant world, The British Film Institute
Jennifer and Kevin McCoy, Galerie Guy Bärtschi, Geneva, Switzerland
Directed Dreaming, Postmasters Gallery, New York, NY
Stop Motion, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
Night Sites, Hannover Kunstverein, Hannover, Germany
150 Works from the Collection, The Henry Museum of Art, Seattle, WA
360º, The Wood Street Galleries, Pittsburgh, PA
Land(es)capes, Postmasters Gallery, New York, NY
Cut: Film and Contemporary Art,Milwaukee Art Museum, Milwaukee, WI
Identità e nomadismo (Identity and Nomadism), Palazzo delle Papesse, Siena, Italy
Image is a Projection, 1000eventi, Milan, Italy
Database Imaginary, Banff Centre, Banff, Canada.
Cut: Film and Contemporary Art, Miami Museum of Contemporary Art, Miami, FL
Terminal 5 JFK Airport, New York, NY
Zones de Confluence, La Villette, Paris, France
Our Grotesque: 5th Site Santa Fe Biennial, Site Santa Fe, Santa Fe, New Mexico
related to 'August Sander, People of the 20th Century', Metropolitan Museum of Art, New York, NY
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY
Soft Rains, Postmasters Gallery, New York, NY
Apprendar a mirrar/Learning to Watch Sala Rekalde, Bilbao, Spain
Hot Summer Cool, Postmasters Gallery, New York, NY
Recon / Decon, Pacific Film Archives, Berkely, CA
Art of the Encyclopedic, Carnegie Art Center, Buffalo, NY
Americ@n Dream, Ronald Feldman Gallery, New York, NY
Critics Choice, Rotterdam International Film Festival, Rotterdam, NL
Late to Work Everyday, Dupreau Gallery, Chicago, IL
Eternal Return Gallerie Guy Bartschi, Geneva, Switzerland
Robot Films FACT, Liverpool, England
Stardust, SJSU Art Gallery, San Jose, California
watery domestic, The Renaissance Society, Chicago, IL
Future Cinema, Zentrum für Medien Kunst, Karlsruhe, Germany
The Omega Manual, Smack Mellon, Brooklyn, NY
Where Do We Go From Here? Cornerhouse Gallery, Manchester, England
Flay, Splat, Play, Espace Paul Ricard, Paris, France.
New Acquisitions in Photography The Metropolitan Museum of Art, New York, NY
We Like to Watch VanLaere Contemporary Art, Antwerp, Belgium
Love and Terror, Butler Institute of American Art, Youngstown, OH
We Like to Watch, Postmasters Gallery, New York, NY
Video Viewpoints, The Museum of Modern Art, New York, NY
Animations, PS1 Center for Contemporary Art, New York, NY
Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, FL
The Brewster Project, Brewster, NY
Mapping the Web Informe, New Langton Arts, San Francisco, CA
Trompe l'Oeil, Media Z Lounge, The New Museum, New York, NY
WRO Media Art Biennial, Wroclaw, Poland
Outsource, Flipside, Brooklyn, NY
The BabySitter Tapes, Walden Gallery, New York, NY
Technically Engaged, A.I.R. Gallery, New York, NY
Pink Light, Postmasters Gallery, New York, NY
Verbal 3, The Kitchen, New York, NY
Dissection - New Electronic Interaction, Macau Museum of Art, Macau
B-2000, Centre Bruxelles, Brussels, Belgium
Through the Looking Glass, Beachwood Center for the Arts, Cleveland, OH
The Skin Game, Smack Mellon, Brooklyn, NY
Subject to Sound, The Rotunda Gallery, Brooklyn, NY
South by Southwest Interactive Festival, Austin, TX
Tenacity, The Swiss Institute, New York, NY
Greater New York, P.S.1., New York, NY
Airworld Tonight, Postmasters Gallery, New York, NY
Arts Entertainment Network, The Walker Arts Center, Minneapolis, MN
Viper International Media Festival, Lucerne, Switzerland
Virginia International Film Festival, Charlottesville, VA
Kino Vision, Gallery Fleur, Kyoto, Japan
Airworld, Walker Art Center, Minneapolis, MN
The 1999 Robert Flaherty Film Seminar, Durham, NC
WRO 99 7th Internation Media Art Biennale, Wroclaw, Poland
Toys and Noise, OK Center for Contemporary Art, Linz, Austria
Contact Zones, Centro de la Imagen,Mexico City, Mexico
Contact Zones, Johnson Museum of Art, Cornell University, Ithaca, NY
Fin de Siècle, Mire, Nantes, France
ISEA98, F.A.C.T., Manchester, England
Trance Dance, Pacific Film Archives, Berekeley, CA
Tomorrow's Homes Today, Museum of Science and Industry, Manchester, England
Touchware, SIGGRAPH '98, Orlando, FL
Video Room Video Festival, Brooklyn, New York
European Media Art Festival, Osnabrück, Germany
Impakt Festival for Audiovisual Arts, Utrecht, Holland
Arts Edge, Art Gallery of Western Australia, Perth, Australia
Viper International Media Festival, Lucerne, Switzerland
A Common Thread: Digital Media and the Creative Process, Fine Arts Gallery,
Wake Forest University, Winston-Salem, NC
Maintenance /Web, The Thing, NY, NY
Small Appliances, The Light Factory, Charlotte, NC
Digital Studies, Alt-X web magazine
Excavations, Bay Area Video Center, San Francisco, CA
Blast 5 Drama, Sandra Gering Gallery, New York, NY
Cluster Images, Werkleitz Geselschaft, Tornitz, Germany
11th Fringe Film and Video Festival, Edinburgh, Scotland
The Next 5 Minutes, Tactical Media V-2, Rotterdam, Netherlands

Expositions collectives
Rélèvé, curated by Jessica Murray, Andrew Edlin Gallery, New York, NY
Holy Fire art of the digital age, iMAL Center for Digital Cultures and Technology, Brussels, Belgium
Stutter and Twitch,Justina M. Barnicke Gallery, Hart House, University of Toronto, Ontario
The New Normal, curated by Michael Connor, iCI, Artists Space, New York (traveling to Huarte Centro de Arte Contemporaneo, Spain, then to Decker Gallery at the Maryland
Institute College of Art, then to Canzani Center Gallery, Columbus College of Art & Design, the to Pomona College Museum of Art, California) (catalog)
Artefact, STUK, Leuven, Belgium
The World is my imagination, Cube Gallery, Manchester, GB
Serendipitous Tangents, Gallery Factory, Seoul, Korea
Automatic Update, curated from the collection by Barbara London, Museum of Modern Art, New York
Experimenta Playground, International Biennial of Media Arts, Melbourne, Australia
Our Second Date: Jennifer and Kevin McCoy, Nevada Museum of Art; Reno, Nevada
JiffyPop ROCA, Rockland Center for the Arts, West Nyack, New York
Art responsive to instructions, input, or its environment, Exhibition curated by Christiane Paul & Jemima Rellie, Laboral Centro de Arte y Creacion Industrial; Spain
Am schlimmsten, nicht in Sommer sterben, Kunstverein Wiesbaden, Germany
Feedback, Fondation Laboral, Asturias, Spain
British Film Institute, London, GB
150 Works from the Collection, The Henry Museum of Art, Seattle, WA, USA
Collective One, Galerie Guy Bärtschi, Switzerland
New York, Interrupted, curated by Dan Cameron, pkm Gallery, Beijing
Through the Rabbit Hole, 21c Museum, Louisville, KY
Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA
Frontiers, Sundance Film Festival, Park City, UT
Cloud Series; electronic sculpture, miniatures, cameras
Our First Date; electronic sculpture, miniatures, cameras
Double Fantasy; electronic sculpture, miniatures, cameras
How We Met - commission 2004; installation, miniatures, computer-controlled video cameras
I Number the Stars- commission 2004; interactive installation
Traffic – commission 2004; installation, miniatures and computer-controlled video cameras
Eternal Return, installation, miniatures and computer-controlled video cameras
Soft Rains- commission 2003; installation, miniatures and computer-controlled video cameras
Learning from Las Vegas, interactive installation
The Kiss, computer installation
448 is Enough; interactive installation
How I Learned; interactive installation
Onscreen; DVD edition of 10, color, sound, 20:00
Horror Chase; computer installation
Every Anvil; interactive installation
201:a space algorithm - commission 2001; interactive video/web project
Every Shot, Every Episode-2001; interactive installation
The Babysitter Tapes - 2001; media performance
Pink Light ; interactive electronic sculpture, light, and sound
Radio Wonderland; electronic sculpture, microwatt radio installation
Radio Frankenstein; electronic sculpture, microwatt radio/internet
Airworld Probe; videotape, color, sound, 3:50
Airworld Transit Lounge (sense of space); interactive installation
Airworld; web project/mixed media project;
Sense of Space, interactive digital video installation
Replay; interactive digital video installation
Small Appliances ; interactive video installation and CD-ROM Transmission; videotape, color, sound, 7:00

Collections, musées
The Museum of Modern Art, New York, NY
The Henry Museum, Seattle, WA
Mudam - Fondation Musée d'Art Moderne Grand-Duc
Jean, Luxembourg
Maison Rouge, Paris, France
The Milwaukee Museum of Art, Milwaukee, WI
The Metropolitan Museum of Art, New York, NY
Private collections

Julie Lazar, "Future Cinema: The Cinematic Imaginary After Film," Flash Art, (January-February
2003): p. 55.
Barbara Pollock, "Jennifer and Kevin McCoy at Postmasters", Art in America, (December 2002):
Carly Berwick, "Net Gains" Artnews, (December, 2002): p.86-89.
"Jennifer and Kevin McCoy," 2002 Museum Preview, Art in America, (July 2002): p.42.
Jim Supanick "Pounding, Pulling, Slapping, Whacking: Jennifer and Kevin McCoy’s Every Anvil",
New York Arts Magazine (July 2002): p64.
Roberta Smith "Jennifer and Kevin McCoy," New York Times, (April 19, 2002): pE6.
David Frankel, "Openings: Jennifer and Kevin McCoy," Artforum (November, 2001): pp.
Anthony Huberman, "Ether Talk, " The Wire, (October, 2001): p82.
Stefan Caldana, "201 - a space algorithm," el ciberPais, (July 5, 2001):
Carl Skelton, "," dART International, (Winter 2001): pp.28-31.
Holland Cotter, "Events Listings," The New York Times. (January 25, 2001).
Jeff Howe, "net.aesthetics," The Village Voice, (September 6 - 12, 2000): p. 85
James Oliver Cury, "Motion Pixels," Spin, vol. 16, no. 7 (July 2000): p.127
Claire Barliant, "The Challenge of Exhibiting a Supernatural Instrument," Feed,
(May 31, 2000):
Martin Spinelli, "Viva Frankenstein," (New York: PS1, 2000):
Nicholas Noyes, "Frankenstein," (New York: PS1, 2000):
Laura Marks, "Making a Scene With Live Video," The Independent Film & Video
Monthly, vol. 23, no. 6 (July 2000): p.34-37
Lisa Curtis, "Subject to Scrutiny," Brooklyn Papers, (May 22, 2000): p. 9
Catherine Hong, "United Artists," Harper's Bazar, (May 2000): p.132 photo
Glen Helfand, "WebArtopia, The Art Entertainment Network has it all," San Francisco Gate
Online, (April 26, 2000):
Rachael Stark, "Music in Wonderland," Brooklyn Daily Eagle,
(April 20, 2000): J13
Howard Halle, "State of the Art," Time Out New York," no. 234, (March 16, 2000): p.80
Robert Cozzolino, "Airworld," Isthmus, (January 14, 2000): p. 22