Cory ARCANGEL

Biographie
1978 
né le 25 mai à Buffalo, NY, U.S.A.
2000 
Bachelor de musique, conservatoire Oberlin, OH

Expositions personnelles
2012 
Cory Arcangel: Masters, Carnegie Museum of Art, Pittsburg, Etats-Unis
2011 
Cory Arcangel: Speakers Going Hammer, Lisson Gallery, London, Angleterre
Cory Arcangel: Pro Tools, Whitney Museum of American Art, New York City, Etats-Unis
Cory Arcangel: Beat the Champ, Barbican Art Gallery, London, Angleterre
2010 
Cory Arcangel: Here Comes Everybody
Image is Everything, Galerie Thaddaeus Ropac, Paris, France
Cory Arcangel, Museum of Contemporary Art, Miami, Etats-Unis
Umma Projects: Cory Arcangel, UMMA - The University of Michigan Museum of Art, Ann Arbor, Etats-Unis
2009 
Cory Arcangel: Three Piano Pieces, OP.11, Galerie Thaddaeus Ropac, Salzburg, Australie
Cory Arcangel: Colors, UAM - University Art Museum, Long Beach, Etats-Unis
2008 
Adult Contemporary, team (gallery, inc.), New York City, Etats-Unis
Cory Arcangel: Variations on a Theme, Galerie Thaddaeus Ropac, Salzburg, Australie
2007 
Cory Arcangel, Spacex, Exeter, Angleterre
Cory Arcangel: Goldberg Variations, Northern Gallery for Contemporary Art, Sunderland, Angleterre
Cory Arcangel, Galerie Guy Bärtschi, Genève, Suisse
Galerie Thaddaeus Ropac, Salzburg, Autriche
Max Wigram Gallery, London, Angleterre
Brändström & Stene, Stockholm, Suède
2006 
Virginia Commonwealth University, Richmond, Etats-Unis
modifications, addenda, and other recent contributions to participatory culture, Team Gallery, New York, Etats-Unis
Don’t Touch My Computer, Galerie Thaddaeus Ropac, Paris, France
2005-06 
Sorry We’re Closed, Brussels, Belgium, Super Mario Movie (in collaboration with Paper Rad)
2005 
disassembling 48k, Brändström & Stene, Stockholm, Suège
Nerdzone Version 1, migros museum für gegenwartskunst, Zurich, Suisse
Video Cube, Galerie Thaddaeus Ropac, Salzburg, Autriche
Super Mario Movie (in collaboration with Paper Rad), Deitch Projects, New York, Etats-Unis
welcome to my homepage artshow!!! , Team Gallery, New York, Etats-Unis
2004 
FACT, Liverpool, Angleterre, welcome to the infinite fill zone
LISTE, Basel, Suisse (under the auspices of Team Gallery)

Expositions collectives
2014 
Art Basel, team (gallery, inc.), New York, Etats-Unis
2013 
Mashup: New Video Art, SMoCA - Scottsdale Museum of Contemporary, Scottsdale, Etats-Unis
Analogital, Utah Museum of Contemporary Art, Salt Lake City, Etats-Unis
2012 
Sphères 2012, Galleria Continua - Le Moulin, Boissy-le-Châtel, France
Regarding Warhol: Sixty Artists, Fifty Years,The Metropolitan Museum of Art, New York, Etats-Unis
How To Eclipse The Light, Wilkinson Gallery, London, Angleterre
OilonWaterCalmingEffect, Skur 2, Stavanger, Norvège
The Exotic, Tallinna Kunstihoone - Tallinn Art Hall, Tallinn, Estonie
Transmission La: Av Club, The Geffen Contemporary at MOCA, Los Angeles, Etats-Unis
Sound Art. Now, ZKM - Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Allemagne
La Loge, SAKS, Genève, Suisse
Hors Pistes, Centre Pompidou - Musée National d´Art Moderne, Paris, France
2011 
Cory Arcangel vs. Pierre Bismuth, team (gallery, inc.), New York, Etats-Unis
La Fabrique Sonore, Domaine Pommery, Reims, France
Contour 2011, 5th Biennial of Moving Image, Mechelen, Belgique
Humid but cool, I think, Taro Nasu Gallery, Tokyo, Japon
Videosphere: A New Generation, Albright-Knox Art Gallery, Buffalo, Etats-Unis
I don't know if it makes any sense - I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly…, IMO-Projects, Copenhagen, Danemark
Project Space Videos, Institute of Contemporary Art at Main College of Art, Portland, Etats-Unis
New York Minute, Garage Center for Contemporary Culture, Moscow, Russia
We can be heroes, Espace Multimédia Gantner, Bourogne, France
Highways Connect And Divide, Foxy Production, New York, Etats-Unis
Play Ground, New Walk Museum & Art Gallery, Leicester, Angleterre
2010 
Syncopation von Francesca Gavin, Grimmuseum, Berlin, Allemagne
PortugalArte10, PortugalArte, Lisbon, Portugal
Systematic, Zabludowicz Collection London, London, Angleterre
Adaptation: Between Species, The Power Plant, Toronto, Etats-Unis
Sound & Vision, The Art Institute of Chicago, Chicago, Etats-Unis
Videodrome, Galerie Feinkost, Berlin, Allemagne
Videodrome, Autocenter, Berlin, Allemagne
NineteenEightyFour, Austrian Cultural Forum, New York, Etats-Unis
Visionaries: Contemporary Art from Santa Barbara’s Private Collections, Santa Barbara Contemporary Arts Forum, Santa Barbara, Etats-Unis
20 ans déjà !, Galerie Guy Bärtschi, Geneva, Switzerland
Resurrectine, Ronald Feldman Fine Arts Inc, New York, Etats-Unis
Curated by_vienna 2010 / art&film, Christine König Galerie, Vienna, Austria
2009 
Lisson Presents 7 / Bell Street, Lisson Gallery, London, Angleterre
Insiders - pratiques, usages, savoir-faire, Musée d'Art Contemporain, Bordeaux, France
The Moving Image: Scan to Screen, Pixel to Projection II, Orange County Museum of Art, Newport Beach, Etats-Unis
Pivot Points 3, Museum of Contemporary Art, Miami, Etats-Unis
New York Minute: 60 Artisti della scena newyorchese, MACRO Testaccio (MACRO Future), Rome, Italie
Deterioration, they said, Migros Museum für Gegenwartskunst, Zürich, Suisse
Arcangel, Pinard, Routson, team (gallery, inc.), New York, Etats-Unis
Smoke and Mirrors, SPACE, Pittsburg, Etats-Unis
Schere - Stein – Papier, Kunsthaus Graz, Graz, Autriche
Feedbackstage, Kunsthaus Muerz, Mürzzuschlag , Autriche
Colour Chart: Reinventing Colour, 1950 to Today, Tate Liverpool, Liverpool, Angleterre
Are You Sure You Are You?, Spencer Brownstone Gallery, New York, Etats-Unis
The Moving Image: Scan to Screen, Pixel to Projection, Orange County Museum of Art, Newport Beach, Etats-Unis
The Generational: Younger Than Jesus, New Museum of Contemporary Art, New York, Etats-Unis
V.01 ß, Lieu Commun - Espace d'Art Contemporain, Toulouse, France
Abstract Cinema & Technology, Museum of Contemporary Art - North Miami (MOCA), Miami, Etats-Unis
The First Stop on the Super Highway, Nam June Paik Art Center, Yongin-si, Corée du Sud
The Real Thing, MU, Eindhoven, Pays-Bas
Feedbackstage, Georg Kargl Fine Arts & Georg Kargl Box, Vienna, Autriche
2008 
The Possibility of an Island, MOCA at Goldman Warehouse, Miami, Etats-Unis
Rock My Religion 1, DA2 - Domus Artium 2002, Salamanca, Espagne
Occupancy by More Than 6'682'685'387 Persons is Dangerous and Unlawful - Part One, Bugada & Cargnel, Paris, France
Close Encounters: Facing the Future, American University Museum at the Katzen Arts Center, Washington, Etats-Unis
Reset/Play, Arthouse at the Jones Center - Contemporary Art for Texas, Austin, Etats-Unis
Sound of Art. Musik in der bildenden Kunst. Les Grands Spectacles III, Museum der Moderne - MdM Rupertinum, Salzburg, Autriche
B I T M A P as good as new, Leonard Pearlstein Gallery at Drexel University, Philadelphia, Etats-Unis
Multitasking, Synchronität als kulturelle Praxis, Overbeck-Gesellschaft, Lübeck, Allemagne
Show #17, and/or gallery, Dallas, Etats-Unis
ZERO1 Biennial, San Jose, Etats-Unis
Multitasking, Stedelijk Museum’s-Hertogenbosch, s-Hertogenbosch, Pays-Bas
Call + Response, MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
Holy Fire, Art of the Digital Age, iMAL (interactive Media Art Laboratory), Brussels, Belgique
Popshop, Art Mu Gallery, Tokyo, Japon
Just Play, Musik as Social Praxis, Edith-Ruß-Haus für Medienkunst, Oldenburg, Allemagne
Color Chart: Reinventing Color, 1950 to Today, MoMA - Museum of Modern Art, New York, Etats-Unis
P2P, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, Luxembourg
2007 
Harlem Postcards, The Studio Museum in Harlem, New York, Etats-Unis
Playback, Musée d’Art Moderne de la Ville de Paris - MAM/ARC, Paris, France
Tha Click, E:vent, London, Angleterre
Multitasking, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Allemagne
Passion Complex - Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art - Kanazawa, Kanazawa, Japon
Invisible, Max Wigram Gallery, New Bond Street, London, Angleterre
Automatic Update, MoMA - Museum of Modern Art, New York, Etats-Unis
Her(his)tory, Museum of Cycladic Art, Athens, Grèce
My Own Private Reality, Edith-Ruß-Haus für Medienkunst, Oldenburg, Allemagne
Feedback, Laboral - Centro de Arte y Creación Industrial, Gijón, Espagne
We are The Robots, Galerie Léo Scheer, Paris, France
Collection - Part 1, Migros Museum für Gegenwartskunst, Zurich, Suisse
Speed 3: Contrarreloj (Against the clock), IVAM - Institut Valencià d'Art Modern, Valencia, Espagne
American video-art, LAZNIA - Centre for Contemporary Art, Gdansk, Pologne
Collateral, When Art Looks At Cinema, Hangar Bicocca | spazio d’arte contemporanea, Milan, Italie
Radio Danièle, Kunsthalle Zürich, Zurich, Suisse
Collective I, Galerie Guy Bärtschi, Genève, Suisse
2007 
Laboral Gallery, Gijon, Asturias, Espagne
Feedback/Feedforward (curated by Christiane Paul, Jemima Rellie, and Charlie Gere)
Speed 3 (curated by Dan Cameron), Instituto Valenciano de Arte Moderno, Valencia, Espagne
Collateral: When Art Looks at Cinema (curated by Adelina von Furstenburg, Anna Daneri, and Andrea Lissoni), Hangar Bicocca, Milan, Italie
2006 
GameScapes Galleria Civica di Monza, Monza, Italie
Electrohype 2006 Lund Konsthall, Lund, Suède
Giving People What They Want, Glassbox, Paris, France
, Zentrum Paul Klee, Berne, Suisse
Bucolica, Galerie Thaddaeus Ropac, Salzburg, Autriche
Time Frame (curated by Neville Wakefield), P.S. 1, New York, Etats-Unis
Action, FRAC PACA, Marseille, France
Outside the Box: New Cinematic Experiences, University of Akron, Akron, Ohio, Etats-Unis
2005 
Breaking and Entering Pace Wildenstein Gallery, New York, Etats-Unis
With us against reality, or against us Willy Wonka Inc, Oslo, Norvège
Mix, Temple University Gallery, Philadelphia, Pennsylvania, Etats-Unis
Space 1026, Philadelphia, Pennsylvania, Etats-Unis (collaboration as part of the Beige Programming Ensemble)
Moving, Dallas Center for Contemporary Art, Dallas, TX, Etats-Unis
The Early Show (curated by Elysia Borowy), White Columns, New York, Etats-Unis
Collaborations, The Embassy, Edinburgh, Ecosse
Artbase, New Museum of Contemporary Art, New York, Etats-Unis
Vox, centre de l’image contemporaine, Montréal, Canada
Start Kapital, Standard, Oslo, Norvège
Carnegie Museum of Art, Pittsburgh, PA, Etats-Unis
P.S.1, New York, Greater New York, Etats-Unis
Growing up absurd (curated by Alun Rowlands and Matt Williams), Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, Angleterre
Summer Party, JamWood Street Galleries, Pittsburgh, Pennsylvania, Etats-Unis
2004 
Database Imaginary (travelling), The Banff Centre, Alberta, Canada
EXPANDER (curated by Mustafa Hulusi), Royal Academy of Art, London, Angleterre
The New York/Liverpool Project The Liverpool Biennial, Liverpool, Angleterre
Pattern Playback, The Moore Space, Miami, FL, Etats-Unis
The Whitney Biennial, The Whitney Museum of American Art, New York, Etats-Unis
Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, Etats-Unis
2003 
Killer Instinct, New Museum of Contemporary Art, New York, Etats-Unis
Throwback, Team Gallery, New York, Etats-Unis
Blinky, Foxy Productions, Brooklyn, NY, Etats-Unis
NOWN, Wood Street Galleries, Pittsburgh, Pennsylvania Etats-Unis (avec catalogue)
2002 
Digital Media, American Museum of the Moving Image, New York, Etats-Unis
Unknown Pleasures, Daniel Reich Gallery, New York, Etats-Unis
2001 
Interface: Exploring Possibilities, Fassbender Gallery, Chicago, IL, Etats-Unis
Artist as Expert Lothringer13 Gallery, Munich, Allemagne (collaboration as part of The Beige Programming Ensemble)

Performances
 
2006 
The Bruce Springsteen Born to Run Glockenspiel Addendum Virginia Commonwealth University, Richmond, Etats-Unis
The Bruce Springsteen Born to Run Glockenspiel Addendum, Zentrum Paul Klee, Bern, Suisse
Sweet16, University of Colorado at Boulder, Boulder, Colorado, Etats-Unis
Sweet16, Galerie Thaddaeus Ropac, Paris, France
Friendster Suicide, PS1, New York, NY, Etats-Unis
I Heart Garfunkel, Temple University Gallery, Philadelphia, PA, Etats-Unis
2005 
I Heart Garfunkel, Standard, Olso, Norvège
I Heart Garfunkel, General Store, Milwaukee, Etats-Unis
Nerds Gone Wild, The Albright Knox Art Gallery, Buffalo, NY, Etats-Unis(collaboration with Paper Rad)
I Heart Garfunkel, The Cartier Foundation, Paris, France
Media Archeology, The Auora Picture Show, Houston, Texas, Etats-Unis (collaboration with Paper Rad)
New Work, The Albright Knox Art Gallery, Buffalo, NY, Etats-Unis
I've Got Your Dawgs, The Swiss Institute, New York, NY, Etats-Unis
one night only, Galerie Lisa Ruyter, Vienna, Austriche
2004 
Paper Rad and Beige, The Liverpool Biennial, Liverpool, Angleterre
nipod + pizza party, The Kitchen, New York, NY, Etats-Unis(presented in collaboration with the 2004 Whitney Biennial)
2003 
The Summer of HTML, The Mattress Factory, Pittsburgh, PA, Etats-Unis (collaboration with Paper Rad & Beige)
The 8bit Construction Set + Bodenstandig 2000, Museum of Contemporary Art, Chicago, Illinois, Etats-Unis

Filmographie
2006 
Housewarming, The Swiss Institute, New York, Etats-Unis
Untitled Translation ExerciseAnthology Film Archives, New York, Etats-Unis
EAI Presents at Monkeytown,Monkeytown, Brooklyn, Etats-Unis
MUSIC VIDEO ARTPier, 63 Maritime, New York, Etats-Unis
MUSIC VIDEO ART, The Open Air Cinema at Art Positions, Miami Beach, Florida, Etats-Unis
VIDEOPHONIC, The Open Air Cinema at Art Positions, Miami Beach, Florida, Etats-Unis
Pioneering Video Artists, Orange County Museum of Art, Santa Ana, Etats-Unis
2005 
Anthology Film Archives, New York, New York Underground Film Festival, Etats-Unis
International Film Festival Rotterdam, Rotterdam, Pays-Bas
2004 
Anthology Film Archives, New York, NY, New York Underground Film Festival, Etats-Unis
Premieres, The Museum of Modern Art, New York, Etats-Unis
International Film Festival Rotterdam, Rotterdam, Pays-Bas
Art Plus Dance, Whitechapel Gallery, London, Angleterre
Pics 'n Clips, Arthouse, Austin, Texas, Etats-Unis
2003 
Game Engine, New York Video Festival, New York, Etats-Unis
Anthology Film Archives, New York, NY, New York Underground Film Festival, Etats-Unis
Blinky, Tate Britain, Londres, Angleterre
FL, Art Basel Miami Beach, Miami, Etats-Unis (screening organized by Electronic Arts Intermix and The Whitney Museum)
2002 
Whitechapel Gallery, Londres, Rodney Graham Film Program, Angleterre
Anthology Film Archives, New York, NY, New York Underground Film Festival, Etats-Unis

Bibliographie
2006 
Friedling, Melissa, “Cory Arcangel”, Flash Art, November/December, pp. 115 -116
Hall, Emily, “Critic’s Pick: Cory Arcangel”, Artforum.com, October
Fels, Sophie, “Time Frame”, TimeOut NY, September 7-13, p.147
Liu, Benjamin, “Peter Rojas/Cory Arcangel”, Self Service, Fall/Winter, pp.340-3, 360
Chaffee, Cathleen, “Cory Arcangel”, Contemporary, Issue 84, pp. 26-9
Cosgrove, Julia, “Digital Underground”, ReadyMade, June/July, pp. index, 62-5
Corrigan, Susan, “Cory Arcangel: Fallen from Grace”, i-D, June, p.36
Tribe, Mark, “Cory Arcangel: An Interview”, UOVO, Issue 11, pp.252-63
Spiegler, Marc, “Game Art”, Departures, May/June
Weiner, Emily, “Motivational Speaker”, TimeOut NY, May 18-24, p.80
Trembley, Nicolas, “L’ange Techno”, Numero, Spring, pp.38-40
Dugan, Anne, “The air we breathe: Cory Arcangel”, Code, Winter, pp.12-15
Murg, Stephanie, “Walking the Green Carpet”, ArtNews, February, p._.
Smith, Roberta, “Turning Games Into a New Kind of Art”, The New York Times, January 21, p.B9.
2005 
Jones, Caitlin, “My Art World Is Bigger Than Yours”, The Believer, December/January, pp.3-12
Stevens, Mark, “Best Emerging Artist: Cory Arcangel”, New York, December 19, pp.59-60
Fallon, Roberta, “Screen Play”, Philadelphia Weekly, December 7, p._
Boase, Gair, “Future Greats 2005”, ArtReview, December, p.66,80
Ehmann, Arne, “Cory Arcangel: Historische Computertechnologie”, PARNASS, September – October, pp. 140-1
Valdez, Sarah, “Open Source Art”, Art in America, September, p. 146, 175
Boxer, Sarah, “Web Works That Insist on Your Full Attention”, The New York Times, June 28, p. E1, E7
Stillman, Nick, “Cory Arcangel: Hack Man”, Flash Art, May/June, pp. 116-7
Chun, Kimberly, “Fault-line Transmisssions”, San Francisco Bay Guardian, May 11-17.
Perlin, Daniel, “Technarchy”, XLR8R, May, p. 60-5
Sholis, Brian, “Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects”, Artforum, April, pp. 190-1
Sudbrack, Eli, “Assume Vivid Astro Focus and Cory Arcangel”, Tokion, March/April, pp. 56-7
Underwood, Paul, “Joysticking it to the Man”, Spin, March, p.39
Smith, Roberta, “Last Chance: Cory Arcangel”, The New York Times, February 11, E28.
Smith, Roberta, “Cory Arcangel/Cory Arcangel and Paper Rad”, The New York Times, February 4, E39.
Finch, Charlie, “The Museum Comes to Us: Art in 2050”, Artnet.com, February 3
Schwendener, Martha, "Cory Arcangel & Beige", TimeOut, February 3-9, p.60
Nussbaum, Danielle, "hacker's delight", Nylon, February, p.89
Stillman, Nick, “Critics’ Picks: Cory Arcangel”, Artforum.com, January 21.
2004 
Halter, Ed, “Midtown Rushes: Premieres”, Village Voice, November 17-23, p.60.
Valdez, Sarah, "Last Night, An Artist Saved My Life", Paper, November, pp.62-4
Douglas, Sarah, “London Letter”, Artnet.com, October 27
Rosenberg, Karen, “Last Shot: The Matrix Reloaded”, New York, August, p.75, 77
Levin, Kim, "The Infinite Fill Group Show", Village Voice, August 18-24, p. c46.
Kerr, Merrily, “The Infinite Fill Show”, TimeOut, August 12-19, p.53
Smith, Roberta, “The Infinite Fill Group Show”, The New York Times, August 6, p.E32
Robinson, Walter, "Weekend Update", Artnet.com, August 2
Delgado, Lisa, "Cory Arcangel's Pizza Party", Res, July/August, p.
Thompson, Clive, “Pac is Back”, New York, July 19, pp.48-9.
Moloun, Dominique, "Une Instantane des arts numerique a New York", Images, Issue #5, pp.88-93
Houpt, Simon, "FrankenArt: The mix and mash future", The Globe and Mail, May 14.
CBS, "What's Bizarre at the Whitney?" CBS News Sunday Morning, May 2.
Stillman, Nick, “2004 Whitney Biennial”, The Brooklyn Rail, April, p.16
Sisario, Ben, “Internet Art Survives, but the Boom is Over”, The New York Times, March 31, p.13
Halter, Ed, “Mind the Gap”, The Village Voice, March 17-23, p.62.
Saltz, Jerry, “The OK Corral”, The Village Voice, March 17-23, p.80.
Kimmelman, Michael, "Touching All Bases At The Biennial", The New York Times, March 12, pp.E27,38.
Plagens, Peter, "Art's 'Star Search", Newsweek, March 22, p.61
Wolf, Matt, “Killer Instinct”, Flash Art, March-April, p.62
2003 
Gardner, James, “Art of the game”, New York Post, December 22, p.42
Solomon, Deborah, “The 3rd Annual Year in Ideas: Video-Game Art”, The New York Times Magazine, December 14, p.105
Scott, A.O., “Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds”, The New York Times, July 23, E3.
Olson, Marisa S., “Hacktivist: Cory Arcangel”, Planet, Spring, p.13
Davenport, Misha, “Old Chips, but new music” Chicago Sun-Times, March 23, p.__.
Cotter, Holland, “Doing Their Own Thing, Making Art Together”, The New York Times, January 19, pp.E1,36.
Gunn, Angela, “The Personal Touch”, Time Out, January 9-16, p.44
2002 
Cotter, Holland. "THE CRITICS/10 MOMENTS", The New York Times, December 29
Cotter, Holland. "A Document made by Paul Thek and Edwin Klein", New York Times,December 20.
Cotter, Holland, "Art In Review: Unknown Pleasures" The New York Times, May 17.
Jana, Reena. "KOPy Cats", Artforum, March.
Gann, Kyle. "Pop Goes the Composer", Village Voice, April 10.
2001 
Richie, Vinyl, “Make The Music With Your Mouse” Life Sucks Die, Winter, pp.28-29.

Prix, commandes publiques, projets et résidence
2000 
Commission of New Radio and Performing Arts with funding from the Jerome Foundation
2001 
NYSCA New Media Grant sponsored by Harvestworks Digital Media
2002 
Commission of New Radio and Performing Arts
2002 
Whitney Museum of American Art "Artport Gate Page" for May
2005 
New York Underground Film Festival "Jury Prize" Sans Simon
2006 
Creative Capital Grant D.I.Y.W.I.K.I.

Collections, musées
Albright Knox Gallery, Buffalo, New York
Fonds Regional d’Art Contemporain Provence-Alpes-Cote d’Azur, Marseille, France
Migros Museum für Gegenwartskunst, Zürich, Switzerland
Museum of Modern Art, New York
Miami Art Museum, Miami
Whitney Museum of American Art, New York